Composer of electro-acoustic music, etc.

ORCHESTRA

Future Shock (for string orchestra) (2016) String orchestra, electric guitar, synthesizer, and sample pad. 14 min. Commissioned by the Nu Deco Ensemble.

Dream Has No Sacrifice (2016) Strings, acoustic guitar, electronics, percussion, and vocals. 5 mins. Written for Jenn Wasner, premiered by String Orchestra of Brooklyn.

Love Letter for Arca (2016) Full orchestra and synthesizer. 12 mins. Commissioned by the Seattle Symphony as part of its Sonic Evolution project celebrating the past and future of Seattle’s music scene. 

Topaz Were the Waves (2015) Full orchestra, live electronics, vocals, and guitars. 6.5 mins. Commissioned by Baltimore Symphony.

Spiritual America (2015) Full orchestra, live electronics, vocals, and guitars. 6 mins. Commissioned by the Alabama Symphony.

We Are Not Ancient (2015) Full orchestra, live electronics, vocals, and guitars. 5 mins. Commissioned by the Alabama Symphony.

Canyons Curved Burgundy (2014) Strings, brass, electronics, guitar, and vocals. 7 mins. Commissioned by the Eastern Connecticut Symphony Orchestra.

Dunes (2013) Full orchestra. 10 mins. Commissioned by the Indianapolis Symphony Orchestra for the Lilly Classical Series. Includes companion film (12 min).

Obituary Birthday (A Requiem for Kurt Cobain) (2011) Full orchestra. 11 mins. Commissioned by the Seattle Symphony as part of its Sonic Evolution project celebrating the past and future of Seattle’s music scene. 


CHAMBER

An Avalache (2017) For strings and electronics. 3 min. Commissioned by Perth International Arts Festival.

Future Shock (for acoustic string quintet) (2017) For string quartet plus double bass. 7 min. Arranged for Sybarite 5.

So Long Art Decade (2016) 5-string violin and electronics. 5 min. Commissioned by violinist Michi Wiancko.

Beyond Abyss & Pink Jail (2015) Violin, cello, bass, guitar, keyboards, vocals, electronic drumkit. 7 min. Commissioned by the Kaufman Music Center.

Acid Rain on the Mirrored Dome (2012) For flexible mixed electro-acoustic ensemble. Variable length.

Pink Angels (2012) Flute, clarinet, trumpet, violin, viola, and cello. 5 mins. Written for yMusic.

Loon Birds in Meshed Crystal (2012) Viola, cello, and electronics. 5 minutes. Written for ACME.

Computer Wave (2011) Solo piano. 5.5 mins. Commissioned by Michael Mizrahi.

Future Shock II (for string quartet) (2011) String quartet and electronics. 15 mins. Written for the ACME Quartet. Supported by the Foundation for Contemporary Arts.

Future Shock III (for cello) (2011) Cello and electronics. 6.5 mins. Written for Clarice Jensen.

Future Shock I (for viola) (2009) Viola and electronics. 6.5 mins. Written for Nadia Sirota.

Loving the Chambered Nautilus (2009) Flute, harp, viola, voice, and delayed banjo. 8 mins. Supported by the American Music Center.

Pegasus Extended (2008) Clarinet, electric guitar, piano, percussion, drumkit, violin, cello, and vocals. 10 mins. Written for Newspeak.

Hotlanta’s Demise (2008) Flute, sax, electric guitar, electric bass, vibes/percussion, piano, violin, cello, lip-synched vocals. 6 mins. 

Michael Jackson (2007) Flute, clarinet, electric guitar, piano, and double bass. 6 mins. Written for NOW Ensemble.


VOCAL

Psychedelics (2017) Eight voices and concert choir or eight voices and live electronics. 15 mins. Commissioned by Williams College.

Done Know Why Say Do (2011) Eight voices. 7 mins. Commissioned by Roomful of Teeth and the Kaufman Center.

High Done No Why To (2010) Eight voices. 7 mins. Commissioned by Roomful of Teeth and the Kaufman Center.

Amid the Minotaurs (2010) Eight voices. 9 mins. Commissioned by Roomful of Teeth and the Kaufman Center.
 

MIXED

Alive in the Electric Snow Dream (2018) For violin/viola, cello, vocals, e. guitar, e. bass, and electronics. 15 min.

Without Chasms (2017). For violin/viola, cello, and electronics. 8 min. Supported by Boulder Museum of Contemporary Art. 

Shimmering Desert (2015) For choir, percussion, cello, and electronics. 7 mins. Commissioned by Vision Into Art as part of The Colorado.

Colossus (2015) For choir, percussion, cello, and electronics. 6 mins. Commissioned by Vision Into Art as part of The Colorado.

Television Landscape (2010) For orchestra, rock band, children's choir, and electronics. 50 mins.

Mohair Time Warp (2008) Flute, sax, electric guitar, electric bass, vibes/percussion, piano, violin, cello, lip-synched vocals. 35 mins. Underwritten by the American Composers Forum with funds provided by the Jerome Foundation.


COLLABORATIVE

Lower Dens: Selections from Escape from Evil (2017). Chamber orchestra. 20 minutes. Commissioned and premiered by Baltimore Symphony.

Oh Albert! (2016) Orchestra, vocalist, electronics, and film. 90 min. Commissioned by the Basel Sinfonietta and composed with Elia Rediger to commemorate the invention of LSD.

WRAY: Color Drones, Hypatia, Blood Moon, and Hedron (2016) Full orchestra and rock band. Underwritten by Alabama Symphony.

Wye Oak: Selections from Shriek (2015) Full Orchestra, vocals, drumkit, and e. bass. 30 mins. Underwritten by the Alabama Symphony, Walker Art Center and Baltimore Symphony.

Dawn of MIDI: Kanye Demands a Son (2014) Collectively sculpted improvisation, commissioned by the Kaufman Music Center.

Son Lux: Betray and Wither (2013) Full Orchestra. 12 mins. Underwritten by the Indianapolis Symphony.

Oneohtrix Point Never: Selections from Replica (2012) String Orchestra. 15 mins. Underwritten by Arts Brookfield.


INSTALLATIONS + ENVIRONMENTS + RITUALS

Glamis Dunes, Obsidian Butte 1+2 & Salton Sea (2017) Electronics, video, and dance. 20 min. Commissioned by the Palm Springs Art Museum and produced by Safety Third Productions, directed and performed by Katherine Fisher. Concept and music by William Brittelle. Presented at Palm Springs Art Museum and the Freemantle Arts Center as part of the Perth International Arts Festival.


TEXTS

Spectral Peaks (In process) Book and digital environment.

 

 

Publishing/licensing/score rental inquiries: contact Dominic Mekky at First Chair Promo.